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Sophia Myles

from Total Film UK, August 2002 / by Ceri Thomas

The Abduction Club‘s feisty tomboy on whining actors, playing the virgin and bedding Johnny Depp

Your average thespian probably can’t remember exactly when they decided an actor’s life was for them. Not Sophia Myles. She recalls the instant with crystal clarity.

“The defining moment was being in bed with Johnny Depp,” laughs the 22-year-old. “I thought: ‘Okay, this is serious now… I obviously haven’t done too badly’.” The bedroom antics in question came about when she was cast as Depp’s wife in Ripper thriller From Hell “I flew out to Prague for one night to do this love scene with him and then came back. It infuriates me when journalists say things like: ‘Oh, it must have been so difficult and so on.’ Um, no. I was paid money to go to bed with Johnny Depp. I have a fantastic life!”

Over the last year, that “fantastic life” has seen her appearing in videos for Bush and Ronan Keating, racking up TV work and starring in this month’s The Abduction Club. Set in 18th century Ireland, it centres on the efforts of dashing but poor noblemen Matthew Rhys and Daniel Lapaine to kidnap themselves a rich heiress for a wife. But they bite off more than they can chew when they abduct Myles’ feisty Lady Anne Kennedy.

“I was so excited about The Abduction Club,” says the star of period telly adaptions Oliver Twist and Mansfield Park. “I’ve been playing the innocent young virgin for a long, long time, always the wronged maiden, suppressed and innocent. And suddenly this role came along that was so much closer to me. Anne’s a tomboy, she’s adventurous, she’s upbeat.”

Filmed during three months in Ireland, the shoot wasn’t always easy. “I was just desperate to go out at lunchtime and fly kites with the boys but the costume department said: “No, you can’t. You’ll get your dress dirty.’ Matthew and Daniel complained that it was cold and they had to trundle through this mud. I said: ‘Try it in a pair of high heels and a corset that’s restricting your waist by five inches!”

She’s not complaining though. “I do get pissed off when actors whinge about how it’s hard and it’s not real and all that. But at the end of the day, it has to be fun. And as soon as it stops being fun, I won’t do it any more.”

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Shooting Star

from The Sunday Herald, June 2002 / by Andrew Burnet

On the face of it – and a dashed pretty face it is too – Sophia Myles is a bundle of cliches. Blonde of hair, blue of eye and rosy of cheek, she’s a vicar’s daughter who was spotted in the school play. Then she was studying Jane Austen’s Mansfield Park and plays by Harold Pinter; within two years she was acting in the BBC’s Mansfield Park with Harold Pinter.

Her looks have prompted comparisons with Kate Winslet and Leonardo DiCaprio – but you couldn’t call her a dumb blonde. A self-confessed “terrible swot”, she was top of her class at school in London and with straight As in her A-levels was about to take philosophy degree at Cambridge. But then – whoosh! – her career took off like a space probe.

Her first television role was as Lady Jane Grey in a BBC adaptation of The Prince And The Pauper. She was 16 at the time – four years younger than Helena Bonham Carter was when she played the 16th-century nine-days queen. Bonham Carter has been bemoaning typecasting, and Myles will have to tread carefully to avoid it. Apart from Susan in Mansfield Park, her costumed English roses include Kate Nickleby in Nicholas Nickleby and Agnes Fleming, Oliver’s mother, in Oliver Twist (both for ITV). A minor character in the novel, Agnes was built up as a tragic heroine in Alan Bleasdale’s adaptation, though mostly in flashback, having died at the start. Myles’s characters are prone to dying young, a misfortune also visited on her as Johnny Depp’s wife in From Hell.

This month marks her cinematic debut in a leading role, though as another corseted coquette. In The Abduction Club she stars as Anne Kennedy, one of two wealthy sisters in 18th-century Ireland, pursued by aristocratic but skint young rakes who belong to a club devoted to kidnapping and seducing moneyed maidens with a view to a dowry. But with Anne and Catharine they’ve bitten off more than they can woo.

Now 22, Myles has shrugged off those cleavage-enhancing period gowns once or twice. Her cv includes two pieces by Fay Weldon: the feminist publishing satire Big Women, for Channel 4, and the stage play Alice May And Rowan Baker. She can also be seen soon as a boarding-school bad girl in the spooky British thriller Dead In The Water. “I was stunned by Sophia’s performance,” says its writer/ director Merlin Ward. “She has talent and beauty that truly light up the screen.”

We’ll be seeing more of them.

Dead In The Water is released on VHS and DVD on June 24 The Abduction Club is released on July 19

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One to watch – Sophia Myles

from Empire Australia, March 2002 / by Chris Murray

Blink and you may miss her in From Hell, but his is one actress sure to go the distance.

It’s just as well this 22-year-old had a crush on her drama teacher – or else the beautiful Brit may still have her head stuck in a philosophy text book at Cambridge. “Yeah, when I was 16, I was indeed fiercely academic,” she laughs. “The ambition or desire to act was never there… but he [the said teacher] was quite tasty!” The schoolgirl crush soon led to an amateur play, where her talent was spotted by the local BBC, who followed up with an offer to play Lady Jane Gray in a TV production of The Prince and The Pauper.

The conscientious young lass soon found herself auditioning for a film version of the book she hated to study, Mansfield Park. “When that audition came up I said ‘not a chance in hell’, I loathed that book. But after reading the screenplay I decided to do it since it was so well written.”

It wasn’t long before Ms Myles decided a uni course learning about Jane Austen or Harold Pinter didn’t compete with actually living out the stories on film. “I mean, when I was in Oliver Twist I had to do a childbirth scene, in Nicholas Nickleby I had a rape scene – then I jump into bed with Johnny Depp in From Hell!”

The latter was a dream that almost did’t come true – luckily, after her commitments to another production kept her from a larger role in the horror/thriller, she was talked into the brief cameo. “When they said I have his baby… I said ‘when do I start?'”

With many more projects on the way, and yet another corset romp scheduled for 2002 with The Abduction Club, Sophia Myles is a name you should get used to hearing. Modestly, Sophia sums up the journey from high school crush to slipping between the sheets with Depp: “I’ve had an amazing time, just like Hugh Grant says in Notting Hill – ‘it was surreal, but nice'”

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TV Sophia’s Depp love scene shock

from The People / by Charlotte Seligman

THE girl star of ITV’s costume drama Nicholas Nickleby has revealed her most nerve-racking part – filming a love scene with heart-throb Johnny Depp.

Sophia Myles – heroine Kate in the Dickens adaptation concluding today – had to get into bed with Depp in the film From Hell about Jack the Ripper.

And the 19-year-old blonde says stripping naked with Depp in front of the cameras was terrifying.

But she says she soon warmed to the task of filming the raunchy love scene.

She says: “I’d be lying if I said: `Oh, it’s just work’. It was fantastic. And Johnny was charming.

“There were three or four scenes and one of them was this love scene.

“When we shot it, he was totally normal and very kind to me.

“Of course when I told my friends I went to bed with Johnny Depp they said, `You Bitch’!”

Sophia, who still lives with her parents in Isleworth, Middx, was always destined for stardom.

She was first spotted by the BBC while she was still doing her GCSEs at the age of 16 – and later starred in the drama The Prince and the Pauper.

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Sophia’s Choice

From Daily Express / By David Allsop

WHEN I FIRST met Sophia Myles there was an uncomfortable possibility that I had spent the previous two hours dribbling on her shoulder during a flight to Prague.

Just before takeoff, I stepped into the isle to allow a young woman in jeans and a baseball cap to move into the window seat next to me. As is invariably the way with strangers on a plane, we politely ignored each other – she clamping on a pair of headphones and leafing idly through a magazine, me fighting a losing battle to remain conscious until the drinks trolley came round.

When I awoke, my head was lolling invasively over the armrest demarcation zone and the plane was in its final stages of descent. My fellow passenger had somehow managed to shrink into the furthest half of her economy-class seat. Later, as we waited for our luggage, she generously dismissed my concerns about being used as a pillow.

She went on to reveal that she was an actress, on location in Prague to shoot a short scene for ‘From Hell‘, the latest film version of the Jack the Ripper story. Using the winding alleys and cobbled
streets of the historic Bohemian capital as a backdrop, I presumed. “Well, not exactly,” she answered. “I’ll be spending all the time in bed with Johnny Depp. I play his wife, and it’s a flashback sequence”. Tough job, then. “Right,” she laughed, “that’s what I’ve been telling all my friends.”

Three months later, we meet again in Soho to talk about her latest TV role, as Kate in the new ITV costume drama, ‘Nicholas Nickleby‘. “That was probably the most surreal experience of my life!” she exclaims, recalling her weekend in the sack with the man once voted as the sexiest in the world.

One minute she was filming ‘Nicholas Nickleby‘, she tells me, and the next minute she was on a plane to the Czech Republic to film a bed scene with Depp. “Sometimes I’m just sitting at a bus stop or on a tube and I just want to jump up and shout about it. To be honest, I hadn’t had time to think about it, and it didn’t hit me until I saw him getting out of a car on the film set, and I was almost sick. I spent about three hours in bed with him, and we’d only just met! But he was sensitive, compassionate and just charming.” Poor Johnny, it must be a tough job for him as well to have to meet beautiful young Englishwomen in such trying circumstances.

The story of how this 20-year-old vicar’s daughter from Isleworth in West London progressed from the lead part in a school play to Depp’s screen lover in the space of four years is arguably the stuff of every teenage girl’s fantasy. But she insists she never wanted to become an actress. “This was never my ambition, and I still can’t quite believe I’m here now. I was furiously academic and was going to do a degree at Cambridge. I was a terrible swot: I adored school.”

This is not the presentation of a young woman who feels that she could have fulfilled her academic potential had she tried; Sophia actually did it at her West London comprehensive, gaining straight A grades at A-level, and a place at Cambridge to read philosophy. But from the moment a BBC casting director happened to see her inaugural acting performance when she was 16, her immediate future was mapped out. She was asked to audition for the part of Lady Jane Grey in the BBC TV costume drama ‘The Prince and the Pauper‘. “I went, they cast me, I filmed it, and I had the time of my life. It was like going into the dressing-up box and putting on fantastic clothes. But I thought it was a one-off, and I’d go back to school and then to Cambridge.”

Fate, however, has conspired to thwart Sophia’s intended career path. An agent telephoned her on the night that her first TV role was screened and asked if she was interested in doing more of the same. “I said all right, but only in the holidays because I didn’t want to do anything to jeopardise my studies.” The proviso was respected, but within a year she had been cast again in a Fay Weldon-scripted Channel 4 drama ‘Big Women’. “Then I did my final A-level year, got my results, and it just went pear-shaped.”

One of her set texts had been ‘Mansfield Park‘ by Jane Austen, and another was a Harold Pinter play. By strange coincidence, the day after her last exam she was phoned by her agent and asked to audition for the BBC adaptation of ‘Mansfield Park‘. “My initial reaction was ‘aaaargh, no!’ because I detested the novel, and I assumed the script would stick close to the book’s text, a bog-standard treacly adaptation – but she sent me the script and it was fantastic.”

Sophia learned how to speak in an authentic Portsmouth accent (circa 1806) in the space of one day, and was promptly cast as Fanny’s younger sister. By even stranger coincidence, she discovered that Harold Pinter would be playing the part of her uncle. “I think at that point I had decided that I had really fallen in love with the job. I was thinking, ‘why sit in a classroom studying Pinter plays and ‘Mansfield Park‘ when I can be bringing them to life?’ It’s not that I am against university, but I can go at any point in my life. I can’t decide when I’m going to work in this business. So I just think that while I’m on the wave I’m going to ride it until it breaks.”

There is little sign of it breaking just yet; Sophia seems to have cornered a market in playing corset-strapped, angst-ridden distressed damsels. As Agnes in the recent TV adaptation of ‘Oliver Twist‘, and now as Kate in ‘Nicholas Nickleby’ she is, by her own acknowledgment, a natural at playing “innocent mistreated virgins”. (“I like Dickens, but his women get a bloody hard time,” she says wryly).

Recently, she has stepped tentatively outside character to play “a feisty little monster, a 17-year-old spoilt brat – it’s great”, co-starring with Alice Evans in the soon-to-be-released period romp ‘The Abduction Club‘.

She confirms that she has often been compared to Kate Winslet and, confronted by her particular brand of luminous radiance, I find it easy to understand why. What is more unexpected is why she has been described as bearing a close resemblance to the actor Leonardo Di Caprio (currently vying with Brad Pitt as the world’s sexiest man – with Johnny Depp relegated to number three).

Maybe it’s the exaggerated arch of the eyebrows, the opalescent complexion or the widely set blue eyes. Or perhaps they’re both related to ex-chancellor Norman Lamont (who has also had comparisons drawn with Leo). But Sophia is, to my surprise, flattered by a comparison first made by the American press when she appeared in ‘Mansfield Park‘.

“Kate Winslet and then Leonardo Di Caprio? I thought they were having a laugh – that, or the journalists were very tired. But then the other magazines said that I looked like his younger sister. So maybe when they make Titanic 2, I could be their lovechild.”

Sophia Myles shows a refreshing degree of perspective and maturity about her choice of profession. “It’s bizarre and sometimes I think it’s quite unhealthy because it’s not normal. You’ve got to remember also that it’s ‘pretend’, it’s not real, and you’ve just got to stay grounded. Otherwise I’d go insane. But it’s fun and, if I could afford to, I would pay to do what I do. That’s how much I love it.”

Her parents have given her their unstinting support, and, revealing that her younger brother, Oliver, is a compulsive surfer living in a caravan in Cornwall, she says: “We have found our passion. That’s all they’re worried about – as long as we’re happy.” And she still lives at home in the vicarage, although she no longer attends church. “It’s not because I’m not religious, but I wouldn’t want to be in a classroom where one of my parents was the teacher. Anyway, it’s odd going into church having had a big bust-up with your dad in the morning and he’s saying ‘I forgive you for all your sins’ – and you’re going, ‘Yeah right, Dad.’

She admits that she still worries that someone will come up to her in an audition or on a film set and tap her on the shoulder saying ‘What are you doing here? Please leave – without the script’.

“I read once that the two worst things that can happen in your life are: achieving your dreams, and not achieving your dreams,” she says. “I’m living living my dream and I’m scared. I think that it can’t go on like this because it’s too perfect. I can’t plan my life because at this stage in my career I’m not in control of it. I believe in fate; after all, it happened to me.”